Find out why the creator of this pamphlet, Magdy El Shafee, is also known as the “Godfather of Egyptian graphic novelists,” in this article from Newsweek.

Then, read about El Shaffee’s arrests over issues of free speech, both before and after the Revolution, in a series of posts from Words Without Borders.

Humphrey Davies, sketched by Magdy El Shafee inside the cover of Dushma (Foxhole) magazine, January 2011.

Read the WWB Campus profile, Euphoria is a Kind of Drug: A Conversation with Translator Humphrey Davies.

Listen to pronunciations of the Egyptian Arabic terms in this story, read aloud by Noor Naga.

Listen to an on-air report from the protests: “Millions Against Mubarak, from Sharif Abdel Kouddou and Democracy Now!” (12 minutes.)

Organizers of the 2011 demonstrations used social media to rally supporters—for a powerful example, watch this video blog from Asmaa Mahfouz, which went viral after she posted it to Facebook. 

Finally, for more on the “thugs” mentioned in this pamphlet, read the BBC News article “How ‘Thugs’ Became Part of the Arab Spring Lexicon.”

Watch the teaser and first scene of Microphone, a 2010 film about the underground art scene in Alexandria just before the Revolution.

Then, learn more about the graffiti art that began appearing in Egypt during the revolution in “Egypt’s Murals Are More Than Just Art, They Are a Form of Revolution,” by Waleed Rasheed, one of the leaders of the 2011 protests. Below is a TED talk from Bahia Shehab, who turned grafitti-ed the Arabic word “no” all over the walls of Cairo during the Revolution.
 

 
And look photos of graffiti by Egyptian women during and after the Revolution.
 
Finally, hear the music that began appearing during and after the revolution in the NPR story “Authentic Egyptian Music Is From The Streets.” (You’ll find full songs in the sidebar.) 

Mural, Egypt, 2013, photographed by stttijn. License: CC-BY 2.0.

To learn more about Egypt’s history, read the BBC’s timeline of key events from 7000 BCE to 2018.

To find out about current events, visit the newspaper The Egypt Independent. 

Watch a video of the making of Magdy El Shafee’s comix magazine, Tok Tok, and visit its bilingual website.

(Watch on YouTube.)

Then, read excerpts from Metro, also by Magdy El Shafee. It was the first Arabic adult graphic novel in Egypt, and it was first published in Words Without Borders. (It was translated by Chip Rossetti, who also wrote the introduction to the Egypt unit on WWB.) 

Arabic speakers can take a look at khallina.org’s series on Arabic comix and graphic novels, which begins with a viewing of the Tok Tok video above.

Magdy El Shafee says that his novel Metro came out of a 2002 workshop led by another comics artist, Golo. Look at Golo’s Proud Beggars, also available on WWB Campus. 

Read Humphrey Davies’ recent translations of several Egyptian novels: Leg Over Leg, Private Pleasures, and Midaq Alley.

Listen to stories of post-revolutionary Egypt from This American Life:

• “Thug Me? No, Thug You” (July 2011; 17 minutes)
• Interviews with two men “whose ideologies are completely opposite, except one thing unites them: their anger at the United States.” (December 2012; 6 minutes)
• “They Love a Man in Uniform,” from Egyptian-British blogger Sarah Karr (January 2014; 10 minutes)

Then, watch a Vice video on Egypt under el-Sisi from the protests of March 2014. (20 minutes, click “Show More” beneath the video on YouTube for more background information.)

Finally, get the latest news from the New York Times’ Egypt coverage.

What happened to comics, and their creators, after the Revolution? 

Hear from Magdy El Shafee and others in “CairoComix: Excavating the Political,” by Jonathan Guyer, published on the independent Egyptian website Mada Masr. Then, read the Guyer’s 2017 article on “Egypt past, present, and future,” which also describes what’s happened to sites like Mada Masr over the past few years.  

For more recent satire, follow cartoonist Andeel on Facebook, or watch his web series “Big Brother,” in which his character suggests some…interesting ways to solve Egypt’s problems. Below, you’ll find the 2018 episode, “Agonies of the Rich.” (With a few implied four-letter words.) 

Finally, find out what happened to the Twitter accounts of such Egyptian cartoonists as Ganzeer (also featured on this site) during a series of 2019 protests. 

Listen to the NPR story “Graffiti Reclaims Egypt’s Revolution From Marketers” to find out about “revo-branding“—the use of revolutionary images in ads.

Then, watch an example of revo-branding: a cell-phone ad set to the patriotic song “Egypt is My Mother.”

(Watch the video on YouTube.)

The translated lyrics (from NPR) are:

Egypt is my mother, its Nile is my blood
Its sun is in my tanning, its semblance is in my features
Even my color is wheaten, the color of your goodness
Egypt, Egypt.

See more Egyptian street art in the blog suzeeinthecity, from journalist Soraya Morayef. Then, read about the groundbreaking cultural historian, artist, and feminist Huda Lutfi, and look through her work.  

Finally, listen to a story about Bassem Youssef, the “Jon Stewart of Egypt,” and the success (and consequences) of his satirical show about the Egyptian revolution. 

Some women who were taking part in the
revolution experienced brutal harassment, mostly from the ‘thugs’ the pamphlet
describes. Watch a video about a self-defense program to teach women to respond to street harassment.

(Watch the video on Youtube.)

For a story of love before, during, and after the Revolution, read Lena Merhej’s comic Manal and Alaa. 

Watch the documentary “Authorized to be Shown,” about censorship of the arts in Egypt. 

(Watch the video on YouTube.)

Then, read a 2019 article in which Egyptian novelist Mansoura Ez-Eldin says that it is the “silence or self-censorship of creative people that actually threatens Arab creativity.” 

Mansoura Ez-Eldin, 2012. By Lesekreis. CC 0 license.

Watch an American Library Association video featuring the “Top Ten” most challenged books in the US. 

Next, listen to a panel on National Public Radio discuss “What people miss in the conversation about banned books.” The panelists point out that comics are often among the most frequently banned books in U.S. schools. (We suggest starting around 12:55.)   

Finally, read “An Iranian Metamorphosis,” a graphic memoir from an artist imprisoned for a single word. 

Read Slaves of Moscow, graphic reportage about a shocking modern-day instance of slavery. 

Then, read a comic about the power of storytelling, and browse through the archive of Symbolia, an online magazine for illustrative journalism.