Before the destruction and the pale purple dust
before the start of that slow gathering of
wounded ruins
before the buildings of San Antonio Abad
became tiered cakes of far-off rococo design
before we realized that the Troubadour of Tampico
lay somewhere beneath La Roma
there was only noise.
That noise.
A surly tremor
a tuberous whine that came from far away and from within
the death rattle of a long and stifled yawn
burnished machete
voiceless voice
the sound chasing itself inside its very own
throat.
Thus the before was born and thus born the after.
Inaugural disgrace with a dead man’s ring on its finger.
And thus the broken ones were born.
And born were the ants that carried off the remains
little by little
And born again were the iridescent cockroaches flying
from corner to corner.
The corners were born.
Angles of light where the light turned baleful.
Alcoves dripping with semen and with ozone.
That was the context.
There we were all born
falling.
Spiraled shavings of helium.
Surrounded by soldiers
gray like no other,
the city was a body curled up in a ball on the ample
bed of its valley
all full of pain
tight with miracle
like a woman who’s bleeding from below.
“The Geology of Place” Copyright © by Cristina Rivera Garza. Translation Copyright © by Cheyla Samuelson and Ilana Luna. All rights reserved.