Poetry From the April 2014 issue: Writing from South Korea
After crossing the living room,
and the photo that brings us together
on a trip to Nahr al-Kalb,
and after passing by the washer
and my mother (exhausted
in spite of the washer),
a stray bullet
veered slightly off course—
by the force
and finally settled
in my head
to kill you there.
© Mazen Maarouf. By arrangement with the author. Translation © 2014 by Kareem James Abu-Zeid and Nathalie Handal. All rights reserved.
بعد أن عبرت غرفة الجلوس
فالصورة التي تجمعنا في رحلة إلى نهر الكلب
رغم الغسالة الأوتوماتيك
أحنت قليلاً مسارها بفعل الجاذبية
Mazen MaaroufMazen Maarouf
Mazen Maarouf is a Palestinian poet and writer, lauded as a rising international literary star. He was raised in Lebanon, and was forced into a double exile in Iceland after criticizing the Syrian regime. He has published three collections of poetry: The Camera Doesn’t Capture Birds, Our Grief Resembles Bread, and most recently An Angel Suspended on the Clothesline, which has been translated into several languages including into French by Samira Negrouche (Amandier Poésie, 2013). His work is currently being translated into English by Kareem James Abu-Zeid and Nathalie Handal. Maarouf has read in festivals, universities, museums, and cultural centers in Europe, the United States, and the Middle East. He has written literary and theatre criticism in various Arabic magazines and newspapers including An-Nahar and Assafir (Lebanon), Al-Quds-el-Arabi (London) and Qantara (Paris); and he has translated numerous Icelandic poets, as well as the following novels, into Arabic: The Blue Fox by Sjón, Hands of my Father by Myron Uhlberg, The Story of the Blue Planet by Andri Snær Magnason, and Dwarfstone by Aðalsteinn Ásberg. He resides in Reykjavik.
Translated from ArabicArabic by Kareem James Abu-ZeidKareem James Abu-Zeid and by Nathalie HandalNathalie Handal
Half American and half Egyptian by blood, Kareem James Abu-Zeid is an award-winning translator of poets and novelists from across the Arab world. His most recent book-length translations include Najwan Darwish's Nothing More to Lose (New York Review Books), Dunya Mikhail's The Iraqi Nights (New Directions), and Rabee Jaber's The Mehlis Report (New Directions). He has received a Lannan Foundation residency and a Fulbright research fellowship, among other honors, and received Poetry magazine's 2014 translation prize. He is currently writing a book entitled Lighting the Mind: A History of Psychedelic Literature from the Rig Veda to the Present Day, which is doubling as his PhD dissertation at UC Berkeley. He also works as a freelance translator of French and German texts, as well as a freelance editor of English texts. His own interests are moving increasingly in the direction of spirituality and the nature of consciousness: he practices various forms of Buddhist meditation, and spends several weeks each year on silent retreats.
Nathalie Handal was raised in Latin America, France and the Arab world, and educated in the United Kingdom and the United States. Her recent books include the flash collection The Republics, which Patricia Smith lauds as “one of the most inventive books by one of today’s most diverse writers”; The Invisible Star; Poet in Andalucía; and Love and Strange Horses, winner of the Gold Medal Independent Publisher Book Award, which The New York Times says is “a book that trembles with belonging (and longing).” She edited The Poetry of Arab Women: A Contemporary Anthology, winner of the PEN Oakland Josephine Miles Book Award, and named one of the top 10 Feminist Books by The Guardian; and co-editor of W.W. Norton’s Language for a New Century: Contemporary Poetry from the Middle East, Asia & Beyond, both Academy of American Poets bestsellers. Her plays have been produced at The John F. Kennedy Center for the Performing Arts, the Bush Theatre and Westminster Abbey. She is a Lannan Foundation Fellow, winner of the Alejo Zuloaga Order in Literature, Honored Finalist for the Gift of Freedom Award, among other honors, and a professor at Columbia University.
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