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2018 Man Booker International Prize Q&A—Olga Tokarczuk

We spoke with the author of "Flights."

Olga Tokarczuk and her translator Jennifer Croft are shortlisted for the 2018 Man Booker International Prize for Flights

Words Without Borders: What’s your favorite book from a literary tradition other than your own and how has it influenced your writing?

Olga Tokarczuk: It strikes me that the books we read in adolescence influence us more than anything we read later in life. I was profoundly affected by Elias Canetti’s novel Auto-da-Fé, as it’s widely known (it was originally titled Die Blendung in German). Published in the 1930s, this examination of the collapse of a certain form of civilization says more about the world in which I live now than any current work I’ve come across. Its protagonist, the erudite bibliophile Herr Doktor Peter Kien, who treats books as though they’re living creatures, must face head-on a brutal and primitive world where the most mundane values prevail. The narrative is at once tragic and comic. I would absolutely count it as one of the most formative novels of my life. Despite being written in German, it ultimately belongs to the literary traditions of Central Europe. And Kien has remained for me one of those fictional characters with whom the reader feels a deep affinity—a kind of friendship, even—and to this day I’m always happy to return to the novel, which never ceases to amaze me.

Read an interview with Jennifer Croft, translator of Flights

Read more interviews with finalists for the 2018 Man Booker International Prize

English

Olga Tokarczuk and her translator Jennifer Croft are shortlisted for the 2018 Man Booker International Prize for Flights

Words Without Borders: What’s your favorite book from a literary tradition other than your own and how has it influenced your writing?

Olga Tokarczuk: It strikes me that the books we read in adolescence influence us more than anything we read later in life. I was profoundly affected by Elias Canetti’s novel Auto-da-Fé, as it’s widely known (it was originally titled Die Blendung in German). Published in the 1930s, this examination of the collapse of a certain form of civilization says more about the world in which I live now than any current work I’ve come across. Its protagonist, the erudite bibliophile Herr Doktor Peter Kien, who treats books as though they’re living creatures, must face head-on a brutal and primitive world where the most mundane values prevail. The narrative is at once tragic and comic. I would absolutely count it as one of the most formative novels of my life. Despite being written in German, it ultimately belongs to the literary traditions of Central Europe. And Kien has remained for me one of those fictional characters with whom the reader feels a deep affinity—a kind of friendship, even—and to this day I’m always happy to return to the novel, which never ceases to amaze me.

Read an interview with Jennifer Croft, translator of Flights

Read more interviews with finalists for the 2018 Man Booker International Prize

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