Mazen Maarouf is a Palestinian poet and writer, lauded as a rising international literary star. He was raised in Lebanon, and was forced into a double exile in Iceland after criticizing the Syrian regime. He has published three collections of poetry: The Camera Doesn’t Capture Birds, Our Grief Resembles Bread, and most recently An Angel Suspended on the Clothesline, which has been translated into several languages including into French by Samira Negrouche (Amandier Poésie, 2013). His work is currently being translated into English by Kareem James Abu-Zeid and Nathalie Handal. Maarouf has read in festivals, universities, museums, and cultural centers in Europe, the United States, and the Middle East. He has written literary and theatre criticism in various Arabic magazines and newspapers including An-Nahar and Assafir (Lebanon), Al-Quds-el-Arabi (London) and Qantara (Paris); and he has translated numerous Icelandic poets, as well as the following novels, into Arabic: The Blue Fox by Sjón, Hands of my Father by Myron Uhlberg, The Story of the Blue Planet by Andri Snær Magnason, and Dwarfstone by Aðalsteinn Ásberg. He resides in Reykjavik.