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The Work Force

January 2011

A painting of a man in a hard hat driving heavy machinery.
Helena Hugo, "Tractor." 75 cm x 110 cm, pastel on board.

As the holidays end and the new year begins, we bring you back to work with tales of employment from around the world. Whether loathed or loved, work provides both livelihood and identity; and in times of economic depression and shrinking labor markets, jobs assume even greater importance, determining both personal and political stability. Whether reinventing themselves in a new economy or sticking it out in an old one, the characters here demonstrate the variety of the international work force. Colombian journalist Andrés Felipe Solano goes undercover in a Medellín factory. Milica Mićić Dimovska’s shopkeepers recycle used clothes for new clients. Ángela Pradelli’s suddenly jobless woman goes into business as a bather. José Pérez Reyes describes a cabbie’s strangest fare. In two tales of returning natives, Djibouti’s Abdourahman A. Waberi sees an academic transformed into a spy, while Iraqi Najem Wali watches a disgraced activist turn teacher. From London, Rebecca Carter explores the tremendous cultural differences from one country to another in the art of editing. In an extract from Patrick Hofmann’s Robert Walser Prize-winning novel, an earthy butcher slaughters a pig and enlivens a family. And on the flip side, François Bon charts French factory closings, and Quim Monzó paints a portrait of Catalan work stoppages.