Called “magnificently strange” by The New Yorker and frequently compared to Kafka, Pynchon, and Murakami, Yoko Tawada (b. 1960) is one of the most creative, theoretically provocative, and unflinchingly original writers in the world. Her work often deals with the ways that nationhood, languages, gender, and other types of identities affect people in contemporary society, especially in our postmodern world of shifting, fluid boundaries. She is one of the rare writers who has achieved critical success writing in two languages, both in her native Japanese and in German, the language of the country where she has lived since 1982. Five volumes of her work in English translation have been published by New Directions and Kodansha, and her work has been translated into many other languages. Her numerous literary prizes in both Japan and Europe include the Gunzo Prize for New Writers for "Missing Heels,” the Akutagawa Prize (Japan's most important prize for young writers) for "The Bridegroom Was a Dog," the Adelbert von Chamisso Prize for her contributions to German-language literature, the Izumi Kyōka Prize, and the Goethe Medal.